Book Review: The Girl in the Green Raincoat by Laura Lippman

This is the book’s description from Goodreads: “Originally serialized in the New York Times, The Girl in the Green Raincoat is now in book form for the very first time—a masterful thriller in the Alfred Hitchcock mode that places a very pregnant, homebound Tess in the center of a murderous puzzle that could cost her her life and the life of her unborn child.”

As you know if you read last week’s blog post, I wasn’t particularly impressed with this author’s Wilde Lake; everything about it, to me, was mediocre. I picked up The Girl in the Green Raincoat when I chose Wilde Lake because it’s a 158-page novelette that I knew would be a quick read. I’m heading into a busy time and won’t be able to read as much, so I’m going to be reading shorter works for the next couple of months.

I really enjoyed this clever book. It’s in the same vein as Rear Window and The Daughter of Time. It combines suspense and humor to tell a Hitchcockian-style mystery. Although the humor wasn’t blow-milk-out-your-nose funny, it was smile-and-chuckle funny, while still maintaining the suspense that’s necessary for a good mystery.

What I found most impressive about this story is that it was originally serialized, which, from my past experience, doesn’t always lend itself to a good book. The previously serialized works I’ve read in the past have included repetitive descriptions of characters and settings and have included recaps of what happened earlier in the book. The author was anticipating that the reader would, necessarily, be putting down the book between chapters and then catching up again next week. While that may work when the story is serialized, the repetition and recaps make me lose interest when I’m reading a book. Although Ms. Lippman’s chapters didn’t stand alone, they ended in a place that I was comfortable with, then picked up in media res without a need for explanations of what had happened in earlier chapters.

Each chapter ended with, if not a cliffhanger, something interesting enough to make me want to continue reading. The engaging narration made for a smooth read. The prose was simple enough to be a quick read but was also descriptive, good writing.

Tess Monaghan, the protagonist, is well-developed. She’s smart, funny, stubborn, at times morose with low self-esteem, at times very sure of herself. She’s relatable, and I felt invested in the outcome of her story. I got attached to her and understood her wants and needs. I felt for her. I liked her story.

I give this book 4 out of 5 stars and recommend it for any lover of mysteries.



Book Review: Wilde Lake by Laura Lippman

This is Goodreads’ description of the book: “The bestselling author of the acclaimed standalones After I’m Gone, I’d Know You Anywhere, and What the Dead Know, challenges our notions of memory, loyalty, responsibility, and justice in this evocative and psychologically complex story about a long-ago death that still haunts a family.

Luisa “Lu” Brant is the newly elected—and first female—state’s attorney of Howard County, Maryland, a job in which her widower father famously served. Fiercely intelligent and ambitious, she sees an opportunity to make her name by trying a mentally disturbed drifter accused of beating a woman to death in her home. It’s not the kind of case that makes headlines, but peaceful Howard county doesn’t see many homicides.

As Lu prepares for the trial, the case dredges up painful memories, reminding her small but tight-knit family of the night when her brother, AJ, saved his best friend at the cost of another man’s life. Only eighteen, AJ was cleared by a grand jury. Now, Lu wonders if the events of 1980 happened as she remembers them. What details might have been withheld from her when she was a child?

The more she learns about the case, the more questions arise. What does it mean to be a man or woman of one’s times? Why do we ask our heroes of the past to conform to the present’s standards? Is that fair? Is it right? Propelled into the past, she discovers that the legal system, the bedrock of her entire life, does not have all the answers. Lu realizes that even if she could learn the whole truth, she probably wouldn’t want to.”

I don’t really know what to say about his book. It wasn’t bad, but it wasn’t good either. I had high expectations for this book because I’d heard how wonderful Ms. Lippman’s writing is, but it seemed lackluster to me. It didn’t make me feel any emotions, it didn’t evoke clear images of a setting or the characters. Although I never considered not finishing the book, I didn’t look forward to reading the next passage the way I like to.

The story moves between Lu Brant’s memories of her childhood and the present day. I had a hard time knowing what the two different viewpoints had to do with each other, and it wasn’t until near the end that it was truly clear that they were related. Many of the details of her childhood weren’t important to the plot. There were no thrills, and the twists, if you’d call them that, weren’t at all shocking. The story moves very slowly and doesn’t advance the plot until near the end, and by then I didn’t really care what happened. I wasn’t that invested in the characters to care.

Since it wasn’t poorly written but didn’t trip my trigger, I’ll rate this book 3 out of 5 stars. Although I wouldn’t recommend it to my friends, I wouldn’t discourage anyone from reading it. I will read another of her books and see if her writing shines more in that one.

Book Review: The Witch Elm by Tana French


This is the book description from Goodreads:

“Toby is a happy-go-lucky charmer who’s dodged a scrape at work and is celebrating with friends when the night takes a turn that will change his life: he surprises two burglars who beat him and leave him for dead. Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family’s ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden – and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed.

The Witch Elm asks what we become, and what we’re capable of when we no longer know who we are.”

I’ve read Tana French before, In The Woods, so I knew I was in for a good read. She has an admirable vocabulary that she uses deftly, tossing in seemingly random descriptions of even the most unimportant detail, thus painting a vivid picture that pulls you into the story. I don’t feel bogged down by these details – I think they add to the story. The narrator in The Witch Elm, Toby, tells his story in a conversational tone that makes you feel like you know him. But you don’t. Neither does he.

I could see the scenes as if they were in constant motion, actively creating the story. I sometimes forgot that I was reading a book: letters and spaces on a piece of paper. The story was alive. It was like I could see and hear the guys talking in the booth next to me. She has the ability to make your mouth water and to make you think you can smell the dirty streets of Dublin around you.

And the tension. Her beautiful imagery lulled me into a dreamlike state, where everything was just happening and I was an observer until suddenly something would go wrong in the story, so abruptly that it was shocking. The twists made me slightly dizzy as if my blood sugar had plummeted. She builds up to the twists so that you know they’re coming and dread the unknown, and of course, you can’t stop reading until you have the answer.

Her writing is refreshing like listening to someone speaking without a stutter or stammer when everyone else is doing so, and it’s easy to read quickly because it flows. She’s sparse with punctuation, so the sentences aren’t choppy, except when she writes short sentences and fragments to up the tension. She uses long stream-of-conscious sentences that keep the long narrative passages moving. I feel like I don’t have to put any effort into reading her writing. It’s like remembering something I already know.

One thing that I noticed throughout The Witch Elm is that she uses references to light in a way that an artist or photographer might, creating glare or casting shadows. Everything is crystal clear because it’s so well described. So many minor details make it real, such as the detective shaking a pen and scribbling with it before beginning to write down an interview answer, or a doctor’s smile indicating how much time he’d give his attention to them.

Her use of humor is understated, but sometimes she’d throw something in that made me almost burst out in laughter, and I felt a bit naughty because the subject itself was not funny. But it gave me a short relief from the subtle, creeping tension that had built up. Sometimes I didn’t know whether to laugh or cry. I did both at different times throughout reading this novel. The book included those emotions I love to experience when I read.

When researching what a witch elm was, I found this, which I think you’ll enjoy:

But The Witch Elm isn’t the book I had hoped it would be, in spite of all of these accolades. I felt the plot slowed down in the middle, perhaps due to too much dialogue. There was one plot point that was predictable, and I hoped she wouldn’t go there before I got to the reveal, but she did. It’s been done too many times before. The predictability in this one section disappointed me.

And although I loved the overall plot, except for the point mentioned above, there were sections of the book, starting somewhere in the middle, where the plot was dribbled out and I felt like it took too long to get to the next plot point. The tension was gone by the time I reached that point. It felt like the slow reveal, at times, was too slow.

I have a friend who reads mainly mysteries and crime thrillers, and although he likes Ms. French’s plots, he doesn’t get lost in the writing the way I do. He does get bogged down in the details. He just wants the facts without all of the language that pulls me in. He, perhaps, wouldn’t have even finished the book because of the slow part that started in the middle of the book.

I am giving this book 4 out of 5 stars, and because of my friend, I’m recommending it to adults who love a good mystery or crime thriller and don’t mind, or in fact, love, that it’s made up of beautiful language and lucid description.

If you liked this review, please follow my blog. You can find me on Twitter @ecclespenor

Thanks for reading.


Book Review: My Sister’s Keeper by Jodi Picoult

This is the book’s description from Goodreads:

“Anna is not sick, but she might as well be. By age thirteen, she has undergone countless surgeries, transfusions, and shots so that her older sister, Kate, can somehow fight the leukemia that has plagued her since childhood. The product of preimplantation genetic diagnosis, Anna was conceived as a bone marrow match for Kate — a life and a role that she has never challenged… until now. Like most teenagers, Anna is beginning to question who she truly is. But unlike most teenagers, she has always been defined in terms of her sister—and so Anna makes a decision that for most would be unthinkable, a decision that will tear her family apart and have perhaps fatal consequences for the sister she loves.”

From the opening of the book I was hooked and had a difficult time putting it down, although at times it was difficult to read because of all of the physical and emotional suffering experienced by the characters. After reading the prologue, I had that feeling I get when I begin a book or movie and know instantly that I’m going to love it – it always sends a tickle down my spine and sometimes brings tears to my eyes. And this book did not let me down.

In spite of the many difficult medical terms, the book was an easy read, and I didn’t want to miss one word of its beautifully written prose. When I say easy, I mean mentally, but not emotionally. It was a tearjerker early on.

The characters, who each told the story from their own viewpoint, were painfully human. I liked that the story was written from all of the main character’s viewpoints, which made for a more well-rounded story. Everything that happens to us, everything we do, is seen much differently by others. Although I could usually tell which character I was reading simply by their voices, there were a couple of times that characters sounded too much alike and I had to look back and see who was speaking. Otherwise, the various points of view were artfully done. At times, the teenagers seemed to speak too eloquently, at least compared to the teenagers I know, and it reminded me that these weren’t characters speaking, but an author writing a story. But mostly I was lost in this story’s world.

This book contained a couple of twists that took my breath away. They were so perfectly orchestrated as part of the plot that I didn’t see them coming. There was a lot of backstory, as the author brought us from the time of the onset of Kate’s illness through where we’d leave off with these characters years later, but it wasn’t an information dump. The story moves between different times and viewpoints seamlessly.

This book made me FEEL, which is what I must have from a book or movie to like it. In fact, in spite of the horror these characters were going through, it made me feel that I had missed out, not having had children myself. The love between the characters was palpable, and I felt that I didn’t experience all of the love I could have since I didn’t have children – both love given and love received. So the book made me think too, and made me relate my story to the character’s stories, something else that makes me like a book. It made me examine my life.

I rate this book 5 out of 5 stars and recommend it for adults and young adults.

VIVOS update

VIVOS is my first novel, which I’m trying to get published traditionally. It compares most closely to The Handmaid’s Tale. I started writing it in April of 2014, and it’s been quite a journey. Now it’s a completely different book from the one I first envisioned, the one I sent to my beta readers.

I recently revised the last one-third of my manuscript due to a revise-and-resubmit request from a publisher who wrote me a passionate and detailed email suggesting ways to improve that part of the book. I shared the publisher’s response with my editor, and she said it was the most positive rejection letter she’d ever seen. I read VIVOS with that email in mind and agreed that I could make VIVOS better. What was once a New Adult Dystopian novel has matured into an Adult Dystopian Thriller novel with an exhilarating ending. Shea Donovan, the protagonist, has a more satisfying character arc. The story is darker and more suspenseful. Here’s a brief description of my novel:

“VIVOS takes current world issues and fast-forwards them to the year 2034. Anti-heroine, Shea Donovan, a snarky twenty-two-year-old with bipolar disorder, tells her dark story with self-effacing irony and evolving cognizance.

Genetic disease and apocalyptic weather drive Shea and her family underground, where twelve senior men, called the Elders, run Vivos, a religious shelter for the Elite. Believing that life aboveground has been extinguished, the Donovans settle into a spartan existence characterized by surveillance and increasing punishments. Soon the Elders announce that God has commanded them to repopulate the earth by breeding with all fertile females age sixteen and above. When the time for Shea’s breeding ceremony arrives, she panics and blacks out. She awakens in the desert brutalized and alone. Battling bipolar symptoms and unsure of the distinction between reality and illusion, Shea’s quest for survival and saving her family clashes with her deep-seated desire for revenge.”

I have been working hard to get VIVOS published. I have sent out 72 queries to agents and publishers, resulting in six full manuscript requests. Three of those requests were for the old VIVOS, and it was rejected by all three. Three of those requests are recent and are all from publishers. They are for the new VIVOS, which is a much better book. I am encouraged by the recent interest in my novel.